Be an experienced composer in multiple genres of commercial music, utilizing the latest Digital Audio Workstations and software instrument libraries — (ie ProTools, Logic Pro, Reaper, East West Libraries, Kontakt, etc)
Be familiar with principals of sound design and sound effects creation, from foley recording, use of sound libraries, to sound synthesis & modeling
Have an understanding of working with game development environments — Unity, Wwise, Fmod audio integration software experience a significant plus — including live-ops and production-release cadences
Be fluently conversant with using spreadsheets as database-repository/organization/communication/tracking tools — Excel and GoogleDocs sheets a plus
Be familiar with concepts and tools for Audio Signal Processing and repair: Izotope RX, Melodyne a plus
Have a working knowledge of Acoustics and 3D localization concepts, reverb, EQ, compression, mastering and noise reduction
Be a can-do great teammate who understands the value of over-communication
What We Offer You
Work in a studio that has complete P&L ownership of games
Competitive salary, discretionary annual bonus scheme and Zynga RSUs
Full medical, accident as well as life insurance benefits
Catered breakfast, lunch and evening snacks
Child care facilities for women employees and discounted facilities for male employees
Well stocked pantry
Generous Paid Maternity/Paternity leave
Employee Assistance Programs
Active Employee Resource Groups – Women at Zynga
Frequent employee events
Additional leave options for most employees
Flexible working hours on many teams
Casual dress every single day
Work with cool people and impact millions of daily players!
Zynga Slots/Match division seeks an Audio Designer to compose music and perform audio design, specification, implementation, editing and review tasks for our growing stable of casual games for mobile and web platforms. You’ll be joining a highly-focused team of game professionals, building audio and soundtrack specifications for a successful Zynga game already in flight, and seeing that audio through to implementation and release in a rapid-cadence environment.
